{"title":"Available","description":"\u003cp\u003ePieces currently available.\u003c\/p\u003e","products":[{"product_id":"gillette-retail-display-tray-c-1950s","title":"Gillette Retail Display Tray, c. 1950s","description":"\u003cp\u003eRetail display as a finished object in its own right. The sloped face, compartmented interior and bright Gillette lettering turn a simple shop tray into a piece of commercial stagecraft, something built to catch the eye, sort stock and speed up a sale at the counter.\u003c\/p\u003e\n\u003cp\u003eIt still works that way: part display, part storage, part memory of the shop counter it once sat on. The original glass lid survives, which is what lifts it from a worn fitting to a complete object.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248753377393,"sku":"KOBK.26.OBJ.025","price":195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/Gillette_Hero.jpg?v=1784793546"},{"product_id":"shark-tooth-with-bryozoan-encrustation","title":"Shark Tooth with Bryozoan Encrustation","description":"\u003cp\u003eTwo histories in one specimen. The tooth gives you the original animal. The bryozoan growth that settled over it gives you a second life that arrived much later, after the tooth had already become part of the sea floor. Bryozoans are tiny colonial filter-feeders that build hard, lacework crusts on whatever surface they can find, and here they found a shark tooth.\u003c\/p\u003e\n\u003cp\u003eThat layering is the hook. It turns the object from a single fossil into a small marine sequence: predator, death, burial, and then a slow second colonisation on top. It comes mounted on a clear stand, which is included.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248753410161,"sku":"KOBK.26.NAT.001","price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h02.jpg?v=1781597427"},{"product_id":"irene-tsosie-sand-painting-ldquo-this-is-in-hummed-valley-rdquo","title":"Irene Tsosie Sand Painting, \"This Is in Hummed Valley\"","description":"\u003cp\u003eThe reverse is what fixes it in place: \"This is in Hummed Valley, by I. Tsosie.\" Whether Hummed Valley is a real place, a remembered one, or simply the title the artist settled on, it ties the picture to a specific eye.\u003c\/p\u003e\n\u003cp\u003eThe deeper interest is what this kind of object is. Sandpainting comes out of Dine healing ceremony, where images were built in dry pigment on the ground and then deliberately destroyed within the day, their power spent in the rite. Painting that was never meant to last. The permanent, glued-to-board version like this one came later, partly for sale and partly to keep a tradition visible outside ceremony, and it carries a quiet contradiction: a survival of an art form whose whole point was to disappear. Exactly the kind of thing this store is interested in.\u003c\/p\u003e\n\u003cp\u003eWhat makes this one good is restraint. Three mesas, a low desert line, just enough sky, and no urge to push harder.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248753442929,"sku":"KOBK.26.ART.001","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.001-01.jpg?v=1782725643"},{"product_id":"folding-sofa-daybed-doube-melbourne","title":"Folding Sofa \/ Daybed, Doube, Melbourne","description":"\u003cp\u003eOne of those small Australian designs that looks simple until you see how much it solves. Gerard and Isobel Doube started their Melbourne furniture company in 1953 and built it around exactly this kind of thinking: a sofa that folds down into a bed through a hinged twin-base frame, clever without showing off. Their sofa-beds were sold through Andersons in Prahran and an example sits in the Powerhouse collection, which tells you the design was taken seriously at the time and has held up since.\u003c\/p\u003e\n\u003cp\u003eThis later piece keeps that Melbourne intelligence: flexible, unfussy, and better than it first lets on. The vinyl and metal legs place it firmly in the 60s to 70s, and the maker's sticker confirms the line.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756719729,"sku":"KOBK.26.FUR.002","price":1395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h24.jpg?v=1781597474"},{"product_id":"sculptural-lamp","title":"Sculptural Lamp","description":"\u003cp\u003eMade by a sculptor whose name has not survived, which is exactly the kind of object this store likes most.\u003c\/p\u003e\n\u003cp\u003eWhat we know comes from the private collector we bought it from: that the maker was a sculptor working on their own, and that the name has gone. The object itself confirms the story. The base is concrete, cast and worked by hand rather than moulded for production. The incised linked-diamond pattern runs around the body like marks made for their own sake. The textured glass on top sits almost like a crown. None of this is the language of product design. It is a sculptor solving the problem of a lamp by making one as if it were a small piece of sculpture.\u003c\/p\u003e\n\u003cp\u003eThat move, an artist building an everyday object, has a quiet history of its own. The same instinct put Alberto Giacometti to work on plaster lamps for Jean-Michel Frank in the 1930s and led Isamu Noguchi to his Akari lights a generation later: utility treated as another medium rather than as a constraint. We are not placing this piece in that company by attribution, only by spirit. It belongs to the same kind of thinking.\u003c\/p\u003e\n\u003cp\u003eThe age is uncertain, but not contemporary. The hand reads earlier than that, though without a maker we cannot pin it more closely. The honest description is a one-off sculptural lamp by an unknown sculptor, well made enough that the lost name becomes part of the appeal rather than a problem with the piece.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756752497,"sku":"KOBK.26.LGT.002","price":440.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h16.jpg?v=1781597472"},{"product_id":"railway-post-lamp-c-1930s","title":"Railway \/ Post Lamp, c. 1930s","description":"\u003cp\u003eA former service light adapted with restraint. Railway and signalling lamps belonged to a world of visibility, safety and daily handling, not living-room display, and that history still sits in the object. These were lit, carried, hung, checked and refilled as part of someone's shift.\u003c\/p\u003e\n\u003cp\u003eThe thick original glass visibly distorts the bulbs behind it, the lid still opens as it was meant to, and the base has only been altered as far as needed to return it to use. Which department it served is left open, but the world it came from is not: transport, utility, duty and repetition. Rewired by KOBK for domestic use, otherwise honest to its working life.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756785265,"sku":"KOBK.26.LGT.003","price":495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h23.jpg?v=1781597473"},{"product_id":"plantubs-cone-planter","title":"Plantubs Cone Planter","description":"\u003cp\u003ePlantubs were designed as furniture as much as horticulture. The lifted cone, thin tripod legs and brass-tone collar give it the airy domestic modernism that let plants move into the living room without looking makeshift. This was the moment the indoor plant became part of the decor rather than a thing kept by a window, and the planter was styled to match the room it stood in.\u003c\/p\u003e\n\u003cp\u003eThe Plantubs label matters for the record, but the real appeal is visual: it reads as a small piece of mid-century design first and a pot second. Sold with its original wire stand.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756818033,"sku":"KOBK.26.OBJ.001","price":375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h11.jpg?v=1781597429"},{"product_id":"french-ladderback-chair-rush-seat","title":"French Ladderback Chair, Rush Seat","description":"\u003cp\u003eA provincial chair with nothing extra. The ladderback, turned uprights and woven rush seat keep it honest, and the slight irregularity in the frame is exactly what separates a real country chair from a later factory copy: it was made by hand, one at a time, to be sat on rather than admired.\u003c\/p\u003e\u003cp\u003eRush seats were woven from twisted reed or rush over a timber frame, a craft of its own that wears in rather than out. Built for everyday use, which is why it still has the right kind of gravity now. Good singly, without needing a set around it.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756850801,"sku":"KOBK.26.FUR.003","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_c42ec2a8-7a4b-4e31-9d56-3359e2a34d47.jpg?v=1779841620"},{"product_id":"turkana-milk-fat-vessel","title":"Turkana Milk \/ Fat Vessel","description":"\u003cp\u003eBuilt for carrying and storing rather than ornament, which is exactly why it holds. Among the Turkana of northern Kenya, gourd vessels like this were everyday equipment in a pastoralist life, used for milk and animal fat, hung, filled, emptied and returned to use. The scorched geometric patterning is burnt into the skin of the gourd, a decoration that survives handling because it is part of the surface rather than applied to it.\u003c\/p\u003e\n\u003cp\u003eThe tied handle loops and worn body keep it close to that use. A good example because it still feels functional even as a display object.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248756949105,"sku":"KOBK.26.OBJ.003","price":195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_6673db6a-34de-405c-aa33-cb70b9af6eff.jpg?v=1779781535"},{"product_id":"stromatolite-slab","title":"Stromatolite Slab","description":"\u003cp\u003eA slice of very deep time. Stromatolites are layered structures built up over centuries by mats of microbes that trapped and bound sediment a thin film at a time, and they count among the oldest visible records of life on earth, going back billions of years. Living examples still grow in a few places, which is part of what makes them extraordinary: a life form that has barely changed since before complex life existed.\u003c\/p\u003e\n\u003cp\u003eThe polished face makes that slow build-up readable, almost like grain in wood but on a geological clock. It is one of those objects that sells itself once the story is told.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248757047409,"sku":"KOBK.26.NAT.003","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_997f4678-8ff0-4f0d-b803-70e25dc187d1.jpg?v=1779781502"},{"product_id":"jade-slab-variant-unconfirmed","title":"Jade Slab, Variant Unconfirmed","description":"\u003cp\u003eClassification can wait. The object already holds. A dark blue-green core passes out through a paler outer skin, giving the slab the feel of something opened rather than made.\u003c\/p\u003e\n\u003cp\u003e\"Jade\" covers two different minerals, jadeite and nephrite, prized across cultures for hardness and colour long before anyone could tell them apart by chemistry. Which one this is has not been tested, so we are not claiming it. If testing later resolves the variety, we will add it. For now the strength is physical: weight, colour, and the clean break between rough edge and polished face.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248757080177,"sku":"KOBK.26.NAT.004","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_4986308e-6581-4b30-b925-f1810fecc6b3.jpg?v=1782790672"},{"product_id":"fossilised-coral-specimen","title":"Fossilised Coral Specimen","description":"\u003cp\u003eCoral after the sea has gone. What survives is the hard architecture of the colony: the calcium-carbonate skeleton the living polyps built around themselves, now emptied out into tunnels, pores, branching edges and a kind of accidental lacework. The animal is long gone; the building it made is the fossil.\u003c\/p\u003e\n\u003cp\u003eIt works as a display object because it reads at once as marine life, as sculpture and as pattern. It comes on a stand, which is included.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248760651889,"sku":"KOBK.26.NAT.005","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_86e67fdc-e7f0-48aa-a780-c77ee64a9ed5.jpg?v=1782787753"},{"product_id":"feline-head-glass-vessel-terminal-sold-to-us-as-indo-parthian","title":"Feline-Head Glass Vessel Terminal, Sold to Us as Indo-Parthian","description":"\u003cp\u003eA small animal-headed glass fitting: the body of a crouched feline with a hollow tube rising from its back. The pleasure of it is that it reads two ways at once, as a creature and as a component. It was made to join something larger, a vessel or a fitting, not to stand entirely alone, which gives it that satisfying half-fragment quality.\u003c\/p\u003e\n\u003cp\u003eAnimal-headed spouts and vessel attachments do sit comfortably within the late antique and Parthian glass world, so the comparison is believable. We keep it in the \"sold to us as\" category rather than presenting it as settled. Translucent, slightly frosted from age, and stranger the longer you look at it.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248760717425,"sku":"KOBK.26.OBJ.006","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h12.jpg?v=1781597429"},{"product_id":"stone-ram-effigy-unverified-age","title":"Stone Ram Effigy, Unverified Age","description":"\u003cp\u003eNot a generic animal carving but a ram reduced to essentials: turned head, spiral horn, tucked body, nothing wasted. It works because it stays blunt. The carving leans on mass and silhouette rather than fine finish, which gives it more presence than a fussier piece would manage.\u003c\/p\u003e\n\u003cp\u003eThe age claim stays qualified. We have no way to confirm \"ancient\" and would rather say so than dress a guess as fact. But the object already has what it needs in the hand: compact, still, and quietly convincing.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248760750193,"sku":"KOBK.26.OBJ.007","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h13.jpg?v=1781597429"},{"product_id":"carved-burr-wood-tobacco-box-with-equestrian-relief","title":"Carved Burr-Wood Tobacco Box with Equestrian Relief","description":"\u003cp\u003eA small tobacco box carved with a rider taking a fence at full stretch. The relief catches you first, but the wood is what holds you: a dense burr figure running across the lid, sides and interior, so that even the plain surfaces have movement. Burr is the wild, knotted grain that forms where a tree has grown around a wound or cluster of buds, prized by carvers exactly because it is unpredictable.\u003c\/p\u003e\n\u003cp\u003eThe c. 1944 Czechoslovak attribution comes with the object and we keep it qualified, but the wartime date gives it a quiet charge: a small, careful, hand-made thing from a hard year. Made for the hand, compact and tactile, and beautifully resolved when opened.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248760815729,"sku":"KOBK.26.OBJ.008","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h15.jpg?v=1781597472"},{"product_id":"handheld-weaving-loom-mali","title":"Handheld Weaving Loom, Mali","description":"\u003cp\u003eA working loom for narrow-strip weaving, the West African tradition where long slender bands of cloth are woven first and then sewn edge to edge into a larger textile. That process is the appeal: this is not decorative equipment, it is the beginning of pattern, the point where thread becomes cloth.\u003c\/p\u003e\n\u003cp\u003eThe stretched warp and simple timber rollers make the whole thing readable at a glance, and it carries the marks of real use. Good because it still looks exactly like what it is.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248760848497,"sku":"KOBK.26.OBJ.009","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.009-01.jpg?v=1783568257"},{"product_id":"minka-veal-turquoise-pinch-vessel","title":"Minka Veal, Turquoise Pinch Vessel","description":"\u003cp\u003eA small hand-built vase with a good off-round lip and a soft turquoise glaze. The shape has not been fussed over, which is exactly why it works: you can still feel the push of the maker's hand in the pinched wall. Good with a single stem, good on a shelf, and just as good left empty.\u003c\/p\u003e\n\u003cp\u003eThe base is signed Minka Veal. As a potter the name does not trace, but Melbourne holds one all the same: Minka Wolman, a journalist who in 1944 married the tonalist painter Hayward Veal, of the Meldrum school, and left with him for Europe in 1951. Whether the hand that signed this pot is hers or simply shares her name, we cannot say. We note the coincidence, and leave it open.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761012337,"sku":"KOBK.26.OBJ.014","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h06.jpg?v=1781597428"},{"product_id":"minka-veal-white-slip-miniature-vessel","title":"Minka Veal, White-Slip Miniature Vessel","description":"\u003cp\u003eRed clay underneath, white slip over the top, and no attempt to hide either. Slip is liquid clay brushed or poured over the body before firing, and here it is used for contrast rather than cover, so the warm red shows through at the edges and gives the piece its whole rhythm. A tiny vase that does not feel slight: a very small piece of studio pottery that got everything it needed and nothing extra.\u003c\/p\u003e\n\u003cp\u003eThe base is signed Minka Veal. As a potter the name does not trace, but Melbourne holds one all the same: Minka Wolman, a journalist who in 1944 married the tonalist painter Hayward Veal, of the Meldrum school, and left with him for Europe in 1951. Whether the hand that signed this pot is hers or simply shares her name, we cannot say. We note the coincidence, and leave it open.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761045105,"sku":"KOBK.26.OBJ.015","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_f7962583-3960-4867-b5e4-e8e840c37c4f.jpg?v=1779701362"},{"product_id":"minka-veal-ruffled-olive-dish","title":"Minka Veal, Ruffled Olive Dish","description":"\u003cp\u003eA small hand-pinched dish with a crimped rim and a lot of charm. Useful, but really kept for the edge. The contour is well judged and the olive glaze pools and deepens in the folds, which is where a pinched form like this either works or does not. This one works.\u003c\/p\u003e\n\u003cp\u003eThe base is signed Minka Veal. As a potter the name does not trace, but Melbourne holds one all the same: Minka Wolman, a journalist who in 1944 married the tonalist painter Hayward Veal, of the Meldrum school, and left with him for Europe in 1951. Whether the hand that signed this pot is hers or simply shares her name, we cannot say. We note the coincidence, and leave it open.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761077873,"sku":"KOBK.26.OBJ.016","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_58b6dc7a-0cf1-444a-b074-284b69498dfe.jpg?v=1783735662"},{"product_id":"makenge-winnowing-basket-zambia","title":"Makenge Winnowing Basket, Zambia","description":"\u003cp\u003eA broad shallow basket made for grain long before it was ever made for a wall. These are the work of Lozi and Mbunda weavers in western Zambia, coiled from the root of the makenge bush: the roots are dug from sandy soil near water, peeled, boiled, dyed in black and natural tones, and then coiled and stitched by women over weeks into a basket rigid enough to last for years. The bush regrows from each cut, so the material is genuinely sustainable.\u003c\/p\u003e\n\u003cp\u003eThe beauty is in the precision of the weave and the way the form opens from a small foot into a wide working rim. Winnowing baskets like this were used to lift, shake and sort grain from chaff, and that purpose stays in the object, which is why it still feels like a tool at rest rather than a decoration.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761176177,"sku":"KOBK.26.OBJ.019","price":290.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h04.jpg?v=1781597428"},{"product_id":"chinese-red-lacquer-altar-offering-dish","title":"Chinese Red Lacquer Altar Offering Dish","description":"\u003cp\u003eThis is where lacquer gets good: not at court, but at home. A small lobed altar dish for fruit, cakes, incense or other dry offerings, made for the everyday theatre of the household shrine rather than for a display cabinet. Lacquer is the sap of the lacquer tree, built up in thin layers over a wood core and polished hard, a process of patience as much as skill.\u003c\/p\u003e\n\u003cp\u003eThe flower form, the red ground and the peony-and-butterfly roundel give it ceremony; the pieced timber body keeps it practical and close to hand. The brush-written base is the last small charge in it. An object made to be used, lifted, filled and put back in place, over and over.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761208945,"sku":"KOBK.26.OBJ.020","price":425.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.020-02.jpg?v=1783752837"},{"product_id":"hand-painted-indian-water-flask-probably-rajasthan","title":"Hand-Painted Indian Water Flask, Probably Rajasthan","description":"\u003cp\u003eA water flask dressed for company. The body belongs to the long South Asian family of metal water vessels made to be filled, carried and kept close in a hot, dry climate; the painting is what turns that working form into something more extroverted. The deep red ground, worn floral panels and rubbed neck banding are doing exactly what you want age to do, not flattening the object but letting the use show through the ornament.\u003c\/p\u003e\n\u003cp\u003eIt carries the dents of a working life on its body. It held water before it held attention, which is why it still manages both.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248761241713,"sku":"KOBK.26.OBJ.021","price":385.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_576e9762-e7d3-4b41-bbc8-9c590f1f23da.jpg?v=1779779508"},{"product_id":"kalaru-pottery-stoneware-vase","title":"Kalaru Pottery Stoneware Vase","description":"\u003cp\u003eA small production-studio vase with a better surface than it first lets on. The form is straightforward, a broad shoulder, narrow foot and clean lip, but the glaze does the heavy lifting: cobalt drifting into charcoal, with violet-grey flashes and a raw clay note kept low at the foot where the glaze runs thin. It feels coastal without being literal.\u003c\/p\u003e\n\u003cp\u003eThe Kalaru script mark to the base ties it to the far south coast of New South Wales. Good Australian production pottery at the point where utility and atmosphere still sit happily together.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762093681,"sku":"KOBK.26.OBJ.022","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_d59d3e97-1048-4581-8a40-a7402d9d1400.jpg?v=1779701479"},{"product_id":"studio-ceramic-bottle-vase-signed-lois-granger-1963","title":"Studio Ceramic Bottle Vase, Signed Lois Granger, 1963","description":"\u003cp\u003eThis one earns its space on silhouette alone. A long neck rises from a compressed bulb, the whole form held in alternating dark-glazed and textured vertical bands that keep it moving as you walk around it. The deep plum-brown glaze against the raised reserve work gives it a carved feel without losing the discipline of the thrown body.\u003c\/p\u003e\n\u003cp\u003eThe maker is not yet securely placed, so we keep the attribution to what the base tells us: signed Lois Granger, 1963. The date does real work. 1963 sits squarely in the post-war studio-pottery moment, when bottle forms and stoneware surfaces were being pushed toward the sculptural. A strong, confident pot whose author is still to be fully traced.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762159217,"sku":"KOBK.26.OBJ.024","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h18.jpg?v=1781597473"},{"product_id":"australian-indigenous-coil-built-pottery-bowl-signed-pep","title":"Coil-Built Earthenware Bowl, Signed PEP","description":"\u003cp\u003eA heavy hand-built bowl with real presence. The inside stays dark and smoky; the outside does the talking, with spirals, dot rows and banded colour over a surface that still lets the built-up coils show through. Coil-building is among the oldest ways of making a pot, raising the wall in stacked ropes of clay rather than throwing it on a wheel, and leaving that method visible is a deliberate choice.\u003c\/p\u003e\n\u003cp\u003eIt reads as a bowl made within a living community tradition, where function and image are meant to stay together. PEP is not yet identified, and we hold the maker open rather than guess. The strongest fit is the Queensland Indigenous ceramics tradition that gathered force from the 1970s on. We hold work like this with care, and welcome correction from the communities whose practice it belongs to.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762224753,"sku":"KOBK.26.OBJ.027","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h20.jpg?v=1781597473"},{"product_id":"cobalt-glazed-earthenware-bowl-persia-or-iraq","title":"Cobalt-Glazed Earthenware Bowl, Marjorie Ho Collection","description":"\u003cp\u003eA proper table bowl from the early Islamic world. Wide-mouthed, glazed where it mattered, and left bare at the foot where the potter held it to dip into the glaze. Cobalt blue on a pale ground is one of the signature looks of early Mesopotamian Islamic pottery, the same blue that would later travel all the way to Chinese porcelain and back.\u003c\/p\u003e\n\u003cp\u003eThe likeliest use is domestic rather than ceremonial: a bowl that sat low among a meal with cups and jars, holding food meant to be shared. Time has only helped it. Burial has turned the blue smoky and mineral, so the surface now carries both of its lives at once, first at the table and then in the ground. The period attribution is consistent with the type but remains untested, and we present it that way.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762257521,"sku":"KOBK.26.OBJ.028","price":495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h10.jpg?v=1781597429"},{"product_id":"vietnamese-pottery-lime-jar-with-overhead-handle","title":"Vietnamese Pottery Lime Jar with Overhead Handle","description":"\u003cp\u003eA lime jar from the long betel-chewing tradition of Vietnam. It held slaked lime, one of the essential parts of the betel quid, taken out on a finger or small spatula and smeared onto the leaf before chewing. Betel was social and ceremonial across the region, offered to guests and used to mark occasions, so a jar like this lived close to hospitality.\u003c\/p\u003e\n\u003cp\u003eThat practical use explains the form better than any decorative reading: the compact body, the overhead loop handle for hanging or carrying, the small off-centre opening to keep the caustic lime contained. The good ones carry both lives at once, everyday utensil and object of ritual.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762323057,"sku":"KOBK.26.OBJ.030","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_e2711b3b-f570-4608-82c6-bf876a9bcb0d.jpg?v=1779781969"},{"product_id":"erven-lucas-bols-het-lootsje-amsterdam-genever-bottle","title":"Erven Lucas Bols \"Het Lootsje\" Amsterdam Genever Bottle","description":"\u003cp\u003eA branded genever bottle from the era when spirits still moved through ports, cellars and bar counters in stoneware rather than glass. Salt-glazing, where salt thrown into the hot kiln fuses to a hard, slightly orange-peel skin, made these bottles tough enough for that life.\u003c\/p\u003e\n\u003cp\u003eBols traces its Amsterdam distilling back to 1575 and the distillery 't Lootsje, \"the little shed\", and is regularly described as the oldest distilled-spirits name in the world, producing genever (the Dutch spirit that fed directly into gin) from the 17th century. Marked bottles like this are routinely catalogued in the trade as late 19th to early 20th century Dutch stoneware, which is where this one sits.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762355825,"sku":"KOBK.26.OBJ.031","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_1d537e96-6cec-40b3-9b91-665f2c641ab4.jpg?v=1779701642"},{"product_id":"chris-harford-wine-jug","title":"Chris Harford, Wine Jug","description":"\u003cp\u003eA wine jug, but not a polite one. The body sits low and broad, the neck rises fast, and the handle feels pulled for grip rather than ceremony. The real draw is the firing. Raku pulls the pot from the kiln while still glowing and cools it fast, often in smoke, so the surface is partly the maker's doing and partly the fire's: here, sand, olive and smoke move across it in a way that makes the jug look weathered before it has even been used.\u003c\/p\u003e\n\u003cp\u003eFunctional form, fire-led surface, and no interest in tidying the thing up.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762388593,"sku":"KOBK.26.OBJ.032","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_a81f7693-faaf-42c0-8f7d-be3c10077f88.jpg?v=1779781942"},{"product_id":"west-german-art-pottery-vases-possibly-marei-keramik","title":"West German Art Pottery Vases, Possibly Marei Keramik","description":"\u003cp\u003eA matched pair of small studio vases where the glaze does almost all the seduction. The mottled blue-purple surface has pulled back over a white ground in the way that the best West German art pottery of the period does: slightly unstable, very alive, and far better in the hand than in a tidy catalogue photo.\u003c\/p\u003e\n\u003cp\u003eThis is the world of West German \"fat lava\" and studio ceramics from the 1960s and 70s, the makers like Scheurich, Ruscha and Marei who turned thick, reactive glazes into a whole design language. Marei Keramik, from Rheinbach, is a strong candidate here on the glaze and body, though we keep it to \"possibly\" without a base mark to settle it. Either way the pair belongs firmly to that confident, glaze-led German moment.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762421361,"sku":"KOBK.26.OBJ.033","price":365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.033-01.jpg?v=1783666428"},{"product_id":"studio-glass-vase-attributed-to-jiri-suhajek-for-moser","title":"Studio Glass Vase, Attributed to Jiri Suhajek for Moser","description":"\u003cp\u003eThe attribution matters here because the hand feels unusually present. Jiri Suhajek was not simply a designer attached to a famous name. He studied under Stanislav Libensky at the Academy of Applied Arts in Prague, trained further at the Royal College of Art in London, and worked as an artist at Moser through the 1970s, with pieces now held by the Corning Museum of Glass and the V\u0026amp;A.\u003c\/p\u003e\n\u003cp\u003eThat is what makes this more interesting than a nice piece of glass. The form is disciplined, but the applied blue and ruby trails loosen it just enough to feel alive, colour used structurally and surface used like drawing. Even before a mark turns up it sits convincingly in Suhajek's world. Strongly attributed, and good enough that the attribution is not carrying dead weight.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762454129,"sku":"KOBK.26.OBJ.034","price":395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h03.jpg?v=1781597428"},{"product_id":"robert-barron-stoneware-bowl","title":"Robert Barron Stoneware Bowl","description":"\u003cp\u003eA bowl from a potter who built a career on firing for variation rather than perfection. Robert Barron spent years working alongside wood-firing potters overseas, including a visit to Michael Cardew, before returning to establish Gooseneck Pottery at Kardella in Victoria in 1984, where he built one of the largest wood-fired kilns in the country and fires it once a year. The lineage runs back through Cardew to Bernard Leach, the Anglo-Japanese tradition that put function and honest material first.\u003c\/p\u003e\n\u003cp\u003eAll of that shows in the finish: ash, warmth, and small irregularities that belong to the kiln rather than the bench. The form is simple in the right way, open and useful, not trying to perform beyond its job. The firing does the talking. Good Australian studio pottery usually is exactly this: function first, but never plain.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762486897,"sku":"KOBK.26.OBJ.035","price":245.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.035-01.jpg?v=1783666715"},{"product_id":"jan-bell-small-basket-form-vessel","title":"Jan Bell, Small Basket-Form Vessel","description":"\u003cp\u003eA small hand-built vessel that borrows the shape of a basket without trying to copy one too neatly. That slight mismatch, ceramic weight pretending at woven lightness, is exactly what makes it good. Jan Bell's pottery often sits in that useful zone between function and image, where a domestic object is allowed a little narrative. Small, playful, and stronger than it first looks.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762519665,"sku":"KOBK.26.OBJ.036","price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/h19.jpg?v=1781597473"},{"product_id":"colourful-clam-shell-form-art-glass-vase","title":"Colourful Clam-Shell Form Art Glass Vase","description":"\u003cp\u003eA bright little glass object with one foot in the seaform tradition and the other in pure decorative excess. Ribbed shell body, ruffled lip, hot-applied blue and yellow wraps. The trails were laid on while the glass was still molten, which is why they sit proud of the surface and follow the curve of the shell.\u003c\/p\u003e\n\u003cp\u003eIt is unapologetically extroverted and better not over-explained. The appeal is immediate: colour, light, and the clear sense that it was made by someone enjoying the material.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762585201,"sku":"KOBK.26.OBJ.038","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.038-01.jpg?v=1783668006"},{"product_id":"beswick-relief-moulded-cream-jug-shape-653","title":"Beswick Relief-Moulded Cream Jug, Shape 653","description":"\u003cp\u003eA dense little jug with foliate relief doing most of the work. The form is rounded and domestic, but the moulding gives it more presence than plain utility ware would have had. This is the good middle ground in Beswick again: not a figurine, not flatly functional, but clearly made for use.\u003c\/p\u003e\n\u003cp\u003eThe interior carries staining from years of tea, which is record rather than fault and hardly touches the object as a thing to look at.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762650737,"sku":"KOBK.26.OBJ.040","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.040-01.jpg?v=1783668032"},{"product_id":"carved-bicolour-hardstone-boulder-with-immortals-and-phoenix","title":"Carved Bicolour Hardstone Boulder with Immortals and Phoenix","description":"\u003cp\u003eA bicolour hardstone boulder carved with a celestial scene, female immortals, a phoenix and lotus, worked deliberately across the red and grey-blue boundary of the stone so that the colour split itself becomes part of the picture. Carving to the natural colour of a stone is a prized skill in Chinese hardstone work, and it is handled confidently here, the figures dense and well resolved.\u003c\/p\u003e\n\u003cp\u003eIt is signed and dated 1979 at the colour boundary, which places it in the early years after the Cultural Revolution, when Chinese studio carving was reasserting itself. The carver's full name has not yet been read, so we leave it open, but the date and the hand are not in doubt.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248762716273,"sku":"KOBK.26.OBJ.042","price":395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.042-03.jpg?v=1783752471"},{"product_id":"painted-fish-stool","title":"Painted Fish Stool","description":"\u003cp\u003eThe whole stool is the fish. The seat is the body seen from above, the fin edge runs the perimeter, the red eye sits at the head, and carved, painted faces appear at each leg joint where the legs meet the seat. The paint is heavily crazed and lifting, which here is record rather than damage, the surface of an object that was made to be used and then aged honestly.\u003c\/p\u003e\n\u003cp\u003eThe origin is not certain, but the carving vocabulary, the palette and the easy slide between animal form and useful furniture all sit comfortably in the Southeast Asian folk tradition, where everyday objects are routinely given a creature's life.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248763830385,"sku":"KOBK.26.OBJ.043","price":265.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.043-02.jpg?v=1783752987"},{"product_id":"pair-of-javanese-rod-puppets-in-batik-dress","title":"Pair of Javanese Rod Puppets in Batik Dress","description":"\u003cp\u003eThese were made as puppets first and still read that way, even at rest. The heads and arms remain articulated. The stands are later and permanent, added to steady fragile wood and make the pair displayable, but they do not cancel the original function: if anything they let the posture and costume stay legible. Javanese rod puppets belong to the wayang golek tradition of carved performing figures, worked by rods from below and dressed in real cloth.\u003c\/p\u003e\n\u003cp\u003eBatik, carving and gesture all matter here, and one figure never quite lands without the other. Together they read as a paused scene rather than a decorative pair. Sold on their display stands.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248763863153,"sku":"KOBK.26.OBJ.044","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/download_0a5c833a-4159-47ae-972a-9bfac9814bf6.jpg?v=1779702071"},{"product_id":"indonesian-lombok-carved-wood-woven-ketak-basket","title":"Indonesian Lombok Carved Wood \u0026 Woven Ketak Basket","description":"\u003cp\u003eThe kind of Lombok object that makes the category \"basket\" feel too small. It is technically a basket, but it behaves more like a container or a small domestic reliquary: a carved timber bowl, woven binding, short carved feet, a fitted lid. Ketak is a fine fern-stem fibre, and Lombok is well known for ketak weaving and for practical household forms made with an unusual amount of finish.\u003c\/p\u003e\n\u003cp\u003eThis piece sits right at the meeting point of utility and display. The carved lid keeps it from ever reading as generic, giving it just enough theatre without losing the grounded, made-to-be-used quality that makes Lombok craft so good in the first place.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248763928689,"sku":"KOBK.26.OBJ.046","price":265.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.046-03.jpg?v=1783670284"},{"product_id":"original-mount-norquay-ski-poster-banff-national-park","title":"Original Mount Norquay Ski Poster, Banff National Park","description":"\u003cp\u003eA period ski poster from the years when a mountain was sold through colour, optimism and a very particular idea of winter freedom. Mount Norquay earns the romance. It was the first ski resort in the Canadian Rockies, with runs cut from the mid-1920s by local skiers who found that old fire and logging scars had left ready-made slopes above Banff, and a lodge running from 1929. By the time posters like this were made, Norquay sat alongside Lake Louise and Sunshine as one of the area's big three hills.\u003c\/p\u003e\n\u003cp\u003eThat history is the whole point. Posters like this existed to turn the Rockies into a destination, to make people book a train and buy the fantasy, long before anyone compared lift passes online. Bright graphics, clean alpine promise, and a real piece of travel culture from the era when the mountains were marketed as modern escape. Reframed by KOBK in Australian hardwood, original stock throughout.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248763994225,"sku":"KOBK.26.ART.003","price":795.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.003-02.jpg?v=1782726798"},{"product_id":"framed-vancouver-sun-peace-they-won-it-front-page","title":"Framed Vancouver Sun 'Peace, They Won It!' Front Page","description":"\u003cp\u003eThis was once framed as part of a complete surviving paper, then taken out and reframed as the front page alone. The appeal is not only wartime ephemera, it is the compression of a world event into one sheet of newsprint. Headline, portraits, date, relief, triumph, propaganda and exhaustion, all sitting there at once.\u003c\/p\u003e\n\u003cp\u003eDated Wednesday 15 August 1945, the day Japan's surrender was announced and the Second World War effectively ended. A front page from the day peace was declared carries more charge than nostalgia can account for. The paper had a single afternoon to turn the end of a six-year war into type, and you can feel the speed of it in the layout. That it travelled from Canada and surfaced in the South Island of New Zealand only adds to the sense of an object that has outlived its moment and kept moving.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764026993,"sku":"KOBK.26.ART.004","price":275.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.004-01.jpg?v=1782725644"},{"product_id":"park-motel-nevada-usa-david-guest","title":"Park Motel, Nevada, USA, David Guest","description":"\u003cp\u003eThis work does not reach for the remarkable. It points at what is already there: the Park Motel sign lit against a Nevada sky, rooms glowing, a car park that suggests someone who drove a long way to get here. The XPan's wide frame stretches the scene into something cinematic without staging anything.\u003c\/p\u003e\n\u003cp\u003eThe motel has since closed. What was a working place when the shutter opened is now, by current account, abandoned, which the photograph could not have known and now cannot unknow. That is the quiet weight in it: a picture of an ordinary American night that turned, after the fact, into a record of something gone.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764059761,"sku":"KOBK.26.ART.005","price":525.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.005-01_45694264-e22b-48f4-8a8f-64dab078ae26.jpg?v=1782729235"},{"product_id":"winks-long-way-home","title":"Winks, \"Long Way Home\"","description":"\u003cp\u003eA painting that holds two bodies, or two presences, just long enough to make the distance between them matter. The red field does the heating, the pale band cools it, and the forms stay half in contact, half on their way out. It reads as a return, but not an easy one.\u003c\/p\u003e\n\u003cp\u003eWinks is a Melbourne painter whose work is colour-led and consistently titled in a way that suggests the words and the image arrived together. The name is deliberate, a low signal. If you catch it, it is yours.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764125297,"sku":"KOBK.26.ART.007","price":1750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.007-01_c5f02df8-45af-4029-aa5d-5a5c2e3c9747.jpg?v=1782725645"},{"product_id":"winks-carry-on-etcetera","title":"Winks, \"Carry On (etcetera)\"","description":"\u003cp\u003eA tall painting built out of load-bearing colour. The blue upper field keeps everything below it moving: ground, shadow, structure, memory, whatever is left after the image has been pushed around a few times. The title helps, half instruction, half shrug.\u003c\/p\u003e\n\u003cp\u003eWinks is a Melbourne painter whose work is colour-led and consistently titled in a way that suggests the words and the image arrived together. The name is deliberate, a low signal. If you catch it, it is yours.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764190833,"sku":"KOBK.26.ART.008","price":1950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.008-01.jpg?v=1782725645"},{"product_id":"winks-ill-just-pretend-too-long-2025","title":"Winks, 'I'll Just Pretend (Too Long)', 2025","description":"\u003cp\u003eA small square that behaves like weather before it behaves like an image. Yellow light sits over a darker lower drag, and the whole thing keeps threatening to become a landscape without ever fully giving in. It is a painting about holding something a little past the point where it stays comfortable.\u003c\/p\u003e\n\u003cp\u003eWinks is a Melbourne painter whose work is colour-led and consistently titled in a way that suggests the words and the image arrived together. The name is deliberate, a low signal. If you catch it, it is yours.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764256369,"sku":"KOBK.26.ART.009","price":975.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.009-02.jpg?v=1782726799"},{"product_id":"winks-did-you-hear-me-2025","title":"Winks, 'Did You Hear Me?', 2025","description":"\u003cp\u003eA rise of ochre and rust against a hard green base, with just enough dark verticals to make the scene feel watched. It reads like a call put out across distance, land first, voice second. Quiet until it is not.\u003c\/p\u003e\n\u003cp\u003eWinks is a Melbourne painter whose work is colour-led and consistently titled in a way that suggests the words and the image arrived together. The name is deliberate, a low signal. If you catch it, it is yours.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764289137,"sku":"KOBK.26.ART.011","price":975.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.011-01.jpg?v=1782725646"},{"product_id":"jacqueline-titus-look-homeward","title":"Jacqueline Titus, 'Look Homeward'","description":"\u003cp\u003eA plain, resolved portrait: hard light, a lifted hand, a red headscarf, no fuss. It has the look of work made by someone who painted seriously and long enough for the image to simplify, which is usually a sign of a real practice rather than a hobby.\u003c\/p\u003e\n\u003cp\u003eThe painting is signed lower right by Jacqueline Titus and comes with a Reno, Nevada history. Beyond that we are deliberately holding back. Biographical detail has circulated about an artist of this name, but we have not been able to confirm it from a reliable source, and we would rather present the picture on its own terms than repeat a story we cannot stand behind. If solid information surfaces, we will add it.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764321905,"sku":"KOBK.26.ART.012","price":395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.012-02.jpg?v=1782726800"},{"product_id":"stretched-vintage-marimekko-textile-maija-isola","title":"Stretched Vintage Marimekko Textile, Maija Isola","description":"\u003cp\u003eThis should be read as design, not as leftover fabric. Scale is the point. Stretched, the print stops behaving like yardage and starts behaving like a wall work.\u003c\/p\u003e\n\u003cp\u003eMaija Isola is one of the designers who made Marimekko matter, the hand behind much of the bold postwar Finnish printmaking that gave the company its identity. The fabric belongs to that world: confident, architectural, made to shift a room rather than disappear into it. The selvedge mark keeps the piece honest, naming both country and maker on the edge of the cloth. Vintage stock, Finland-marked, and large enough to read the pattern as it was meant to be read.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default Title","offer_id":43248764354673,"sku":"KOBK.26.ART.013","price":1495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.ART.013-01.jpg?v=1782725646"},{"product_id":"hand-painted-missionary-work-record-board","title":"Hand-Painted 'Missionary Work' Record Board","description":"\u003cp\u003eBefore anyone measured engagement, a church measured like this, by hand, in front of everyone. The board is signwritten Missionary Work in shaded red and gilt, and beneath it the week of a believing community is ruled into columns: visits to the hospital and door to door, Bible readings, cottage meetings, friends brought along, treatments given, golden deeds, books and tracts given away, the Morning Watch kept. This is the lay-mission language of the Seventh-day Adventist tradition, a faith that asked its members to account, each week, for their kindness.\u003c\/p\u003e\u003cp\u003eTurn it over and the years move. The back was used much later by the same congregation as a plain chalkboard, Growing Our Church, the barriers and the enablers set in two columns: Saturday not convenient, a seven-day society, set against music, the young, a loving community. One board, two eras of the same anxious hope, carried out of a Melbourne church the day it came down. It keeps its knocks and its green frame and its whole working life on its face.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default","offer_id":43568840802417,"sku":"KOBK.26.OBJ.110","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.110-01_78e56625-0801-4d97-8c2e-6e37f517ca6b.jpg?v=1782723145"},{"product_id":"gundars-lusis-studio-pottery-bowl","title":"Gundars Lusis Studio Pottery Bowl","description":"\u003cp\u003eGundars Lusis left Latvia as a teenager, came through a displaced-persons camp in Germany and reached Australia in 1949. By 1956 he was making pottery in a garage in Camberwell, working alone, and signing it Gunda because he thought Australians would manage that more easily than his own name. The studio ran for two decades on slip-cast earthenware in a sleek post-war European line, sold into the homes and gift shops of a country still deciding what modern looked like.\u003c\/p\u003e\u003cp\u003eThis bowl comes from that world. The Gunda mark is there with the number 46, which is the model and not a year. The shape is the interest: clean, considered, a little severe, the work of someone who had carried one continent's taste to another and made something that belonged to both.\u003c\/p\u003e","brand":"KILL OR BE KILLED","offers":[{"title":"Default","offer_id":43568840867953,"sku":"KOBK.26.OBJ.098","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/5800\/9201\/files\/KOBK.26.OBJ.098-01_702d4ff2-cf46-49e1-ba50-338ac4682daa.jpg?v=1782723144"}],"url":"https:\/\/kobk.online\/collections\/available.oembed?page=2","provider":"KILL OR BE KILLED","version":"1.0","type":"link"}